The pavilion as a real-timemachine uses art and architecture as a way of engaging a discussion about curatorial practice, opportunistic urbanism and the role of Architects as place-makers and provocateurs.
In collaboration with Jac studios
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This project takes inspiration from the technique of photography as a first medium for the captured picture and later movie. Located at four different places in the city centre of Copenhagen, the installation offers a very simple programmatic response to recognize and counter the issue of how a community can be linked not only virtually but also physically.
After the principle of the camera obscura the real-time scenery of the City of Copenhagen, the Filmfestival and its surrounding festivities, are projected through a pinhole into the inner space of the pavilion. For the public to enjoy, it is the upside down analog`movie`contrasted by an outside digital projection at the entrance, that is dealing with the themes of time and our own perception of the present. The individual impression of the visitor is leading to a shared, fun and architecturally activated experience.
The structure is a triple mylar film system, a fabric that provides a waterproof, reflective and air tight exterior, a dual light effect and a soft tactile interior surface. The interior screen, softened with a white textile, is offering the visitor a place to rest, gather and enjoy an unseen view of the city.
At the entrance a video content is projected onto a inhabitable screen, leading into a space that is celebrating the pure moment and its resulting collective memory.
